Jay Mark Johnson | SIDESHOW SIEM REAP #9 | 2012 Cambodia

1 / 9

Jay Mark Johnson, VICTORIA FALLS #99, 2014 Zimbabwe

archival pigment on paper, mounted on aluminum, 40 x 160 in. (101.6 x 406.4 cm)

2 / 9

Jay Mark Johnson, MAASAI MARA #134, 2014 Maasai Mara

archival pigment on paper, mounted on aluminum, 40 x 120 in. (101.6 x 304.8 cm)

3 / 9

Jay Mark Johnson, MAASAI MARA #138, 2014 Maasai Mara

archival pigment on paper, mounted on aluminum, 40 x 120 in. (101.6 x 304.8 cm)

4 / 9

Jay Mark Johnson, SIDESHOW SIEM REAP #1, 2012 Cambodia

archival pigment on paper, mounted on aluminum, 40 x 90 in. (101.6 x 228.6 cm)

5 / 9

Jay Mark Johnson, SIDESHOW SIEM REAP #9, 2012 Cambodia

archival pigment on paper, mounted on aluminum, 40 x 120 in. (101.6 x 304.8 cm)

6 / 9

Jay Mark Johnson, LOS OSOS #74, 2012 California, USA

archival pigment on paper, mounted on aluminum, 40 x 180 in. (101.6 x 457.2 cm)

7 / 9

Jay Mark Johnson, OFF TO BE MILKED BY MACHINES, 2012 Australia

archival pigment on paper, mounted on aluminum, 40 x 210 in. (101.6 x 533.4 cm)

8 / 9

Jay Mark Johnson, CARBON DATING #1, 2008 Hazard KY

archival pigment on paper, mounted on aluminum, 40 x 192 in. (101.6 x 487.7 cm)

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Jay Mark Johnson, FLY ROCK #2, 2008 Hazard KY

archival pigment on paper, mounted on aluminum, 40 x 96 in. (101.6 x 243.8 cm)

NO STONE UNTURNED

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